This project is a typography focused assignment developed for the creation of the first university fanzine. The publication was a collaborative work, bringing together articles designed by multiple students, with the main objective of communicating content using only typography as a visual tool. The challenge was to transform text into a creative and expressive element by experimenting with different typefaces, sizes, weights, and compositions.
fixing.
FANZINE
Typography project
The concept of the fanzine was to collect news about design and present them in a dynamic and visually engaging way, relying entirely on typographic contrast and rhythm. The cover design was inspired by experimental typographic works such as Moon Rufen by Wolfgang Weingart, reflecting an approach rooted in expressive composition, tension, and visual impact. As a result, the cover adopts a deliberately simple yet bold solution, allowing typography to take full protagonism while emphasizing structure, scale, and contrast. This approach sets a clear and strong visual identity for the publication and reinforces the idea of typography as both content and form.
FANZINE
Typography project
This project is a typography focused assignment developed for the creation of the first university fanzine. The publication was a collaborative work, bringing together articles designed by multiple students, with the main objective of communicating content using only typography as a visual tool. The challenge was to transform text into a creative and expressive element by experimenting with different typefaces, sizes, weights, and compositions.
The concept of the fanzine was to collect news about design and present them in a dynamic and visually engaging way, relying entirely on typographic contrast and rhythm. The cover design was inspired by experimental typographic works such as Moon Rufen by Wolfgang Weingart, reflecting an approach rooted in expressive composition, tension, and visual impact. As a result, the cover adopts a deliberately simple yet bold solution, allowing typography to take full protagonism while emphasizing structure, scale, and contrast. This approach sets a clear and strong visual identity for the publication and reinforces the idea of typography as both content and form.